FILE - This April 10, 2008 file photo shows Lynn Finkel, stage manager for "Sesame Street," slates a taping with Big Bird, performed by Caroll Spinney, in New York. The popular children’s TV show is celebrating its 50th year. (AP Photo/Mark Lennihan, File)

Sense of empathy, kindness floats over ‘Sesame Street’ set

While some rod puppets like Elmo require one puppeteer, it takes two to manipulate others

There’s something circular about Matt Vogel’s career, which is perfectly appropriate for the star of an educational children’s show.

As a boy, he watched Big Bird on TV. As an adult, he worked alongside Big Bird. Now he is Big Bird.

Vogel inherited the feathered yellow suit and voice last year after two decades of understudying master puppeteer Caroll Spinney, and he says nowadays he tries to channel how he felt watching Big Bird as a child.

“I felt like he knew how I felt, and he understood me,” Vogel said. “And that’s kind of what I try to bring to him now, thinking that maybe some child at home is looking at Big Bird and thinking, ‘That’s how I feel. That’s exactly what I think.’”

That sense of empathy and kindness seems to float over the main set at “Sesame Street.” A visit to the busy lot by The Associated Press earlier this year in the borough of Queens found monsters and humans creating a special alchemy. There was exacting precision as well as childlike glee.

The main brownstone house and welcoming stoop — with the No. 123 address, naturally — is in one corner, with a subway entrance and newsstand facing it, and Mr. Hooper’s well-stocked grocery store and a laundromat between them. Around the corner is Big Bird’s massive nest.

A sly playfulness is on show at the newsstand, where stacks of tabloid newspapers that closely resemble the New York Post scream “Dial ‘G’ for Grouch.”

“The show never talks down. We’re not a baby show. We’re made for preschoolers, but we like to think the entertainment value is good enough to reach adults,” said Benjamin Lehmann, executive producer.

While some rod puppets like Elmo require one puppeteer, it takes two to manipulate Ernie, Rosita, The Count, Cookie Monster, Oscar the Grouch, Telly Monster and Snuffleupagus. (The Snuffleupagus suit is so massive it hangs from the rafters when not being used).

It takes a lot of work to create a season’s worth of 35 zesty episodes, each 26 minutes long. On this day, the cast and staff are recording segments for a star-studded prime-time special in honour of the show’s 50th anniversary hosted by actor Joseph Gordon Levitt.

In one segment, Levitt walks across the set surrounded by around 10 or so animals, monsters and Grover. Puppeteers perform holding their puppets high in the air while sitting on little round scooters on wheels — they call them “rollies” — and watching monitors on the ground to make sure they’re keeping their creatures in the frame.

HAPPY 50th: ‘Sesame Street’ characters talk favourite celebrity guests

They practice the sequence once or twice before the celebrity is brought in and the heaviest costumes are put on the puppeteers. More than once, the whole parade was stopped and restarted after a stray arm was spotted by the director. Sometimes a full day of filming produces just 10 minutes of show. It’s start-stop work but everyone seemed cheerful.

“I think a lot of people who work on ‘Sesame Street’ are here because our mission is to make kids smarter, stronger and kinder and that those lessons that we impart to them stay with them,” Lehmann said.

“You know Joseph Gordon Levitt is the perfect example because he’s watching it with his kids now, but you can see he’s a fan.”

On the set, Vogel’s main task is Big Bird, but he has also inherited voicing and manipulating for the Count and the title of puppet captain. That means he sits in on production meetings and lets directors and producers know the limits of puppetry.

“Can we throw a chicken through the frame? How many ducks can we fit in a wheelbarrow? Things like that,” he said. “We try to come up with the best methods so our directors can get the shots that they want.”

Mild-mannered and patient, Vogel said he was inspired by master puppeteer Jim Henson and watched the show that icon helped produce. He never imagined the show held a job he could do, much less that of the iconic yellow 8-foot-4-inch tall Big Bird.

“Once I was here on ‘Sesame Street,’ I connected with that little child in me again and I realized l, ‘Oh my gosh, I think I can grow up to work on “Sesame Street.” This can be a dream.’ And I’m living it.”

Perhaps it was fate. After all, Vogel means bird in German.

Mark Kennedy, The Associated Press

Like us on Facebook and follow us on Twitter.

Get local stories you won't find anywhere else right to your inbox.
Sign up here

Just Posted

PHOTOS: Pacific Equine Sport Winter Jumper Series

Held Jan. 18 at the Calnash Ag Event Centre

Bantam Broncs dish out annual awards

Story and photos of awards banquet held Jan. 16

Town trusts purchaser to complete stucco work on the former Kinsmen Centre

A short town council meeting Jan. 14 dealt with a number of… Continue reading

Burn ‘N’ Mahn Dueling Pianos Extreme show coming to Ponoka

Show will be held at the Ponoka Legion on Jan. 25

VIDEO: Trudeau insists Iran respect families’ wishes when it comes to burials

All 176 people on board the Ukraine International Airlines flight PS752 were killed

Canadian public health agencies ramping up preparations in response to new virus

Health officials have said there are no confirmed cases of the emerging coronavirus in Canada

‘Naughty boy’: Monty Python star Terry Jones dies at 77

The comedian has been suffering from a rare form of dementia

Harry and Meghan should cover their own security costs: NDP heritage critic

The prince, Meghan Markle and their eight-month-old son Archie are reportedly staying at a mansion near Victoria

Alberta premier wants federal government to do more about opioid imports

Jason Kenney says Canada should find ways to cut down on drugs being smuggled into the country

Alberta Energy Regulator laying off staff, restructures, deals with budget cuts

Gordon Lambert, interim CEO, says the changes are part of a restructuring

Energy companies owe more than double the tax to Alberta municipalities

Survey says communities are owed $173 million — up 114% since last spring

No gondola from Banff to Mount Norquay, feds say

Parks Canada dismisses proposal for gondola, Grizzly Pavilion and boardwalks

Most Read